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Szép Eszter (Eötvös Loránd University, Budapest, Hungary)
Graphic Narratives of Women in War : Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi
International Studies : Interdisciplinary Political and Cultural Journal, 2014, vol. 16, s. 21-33, bibliogr. 18 poz.
Słowa kluczowe
Przemoc, Kobieta, Tożsamość
Abuse, Woman, Identity
By applying terminology from trauma theory and a methodological approach from comics scholarship, this essay discusses three graphic autobiographies of women. These are A Game for Swallows by Zeina Abirached (trans. Edward Gauvin, 2012), We are on our Own by Miriam Katin (2006), and Persepolis by Marjane Satrapi (trans. Anjali Singh, 2004). Two issues are at the centre of the investigation: the strategies by which these works engage in the much-debated issues of representing gendered violence, and the representation of the ways traumatized daughters and their mothers deal with the identity crises caused by war. (original abstract)
Pełny tekst
  1. Abirached, Zeina. A Game for Swallows. To Die, To Leave and To Return. Minneapolis: Graphic Universe, 2012.
  2. Abrams, Kathryn and Irene Kacandes. "Introduction: Witness." Women's Studies Quarterly 36.1&2 2008: 13-27.
  3. Chute, Hillary. "The Texture of Retracing in Marjane Satrapi"s Persepolis." Women's Studies Quarterly 36.1&2 2008: 92-110.
  4. Claudio, Esther. "Marjane Satrapi's Elaborate Simplicity: Persepolis." The Comics Grid (March, 2011) 07 Aug 2012 .
  5. Disch, Lisa and Leslie Morris. "Departures: New Feminist Perspectives on the Holocaust." Women in German Yearbook 19 2003: 9-19.
  6. Doherty, Thomas. "Art Spiegelman's Maus: Graphic Art and the Holocaust." American Literature 68.1 1996: 69-84. [Crossref]
  7. Hatfield, Charles. Alternative Comics. An Emerging Literature. Jackson: University Press of Missisipi, 2005.
  8. Hirsch Marianne. "Marked by Memory: Feminist Reflections on Trauma and Transmission." Extremities - Trauma, Testimony, Community. Eds. N. K. Miller, J. Tougaw, University of Illinois, 2002. 71-91.
  9. Hirsch Marianne. "Surviving Images: Holocaust Photographs and the Work of Postmemory." The Yale Journal of Criticism 14.1 2001: 5-37.
  10. Hirsch Marianne. and Leo Spitzer. "The Witness in the Archive: Holocaust Studies / Memory Studies." Memory Studies 2.2 2009: 151-170. [Web of Science]
  11. Katin, Miriam. We Are on Our Own. Montreal: Drawn & Quarterly, 2006.
  12. Liebman Jacobs. "Women, Genocide, and Memory. The Ethics of Feminist Ethnography in Holocaust Research." Gender and Society 18.2 2004: 223-238.
  13. McCloud, Scott. Understanding Comics-The Invisible art. New York: Harper Perennial, 1994.
  14. Pinchevski, Amit. "The Audiovisual Unconscious: Media and Trauma in the Video Archive for Holocaust Testimonies." Critical Inquiry 39.1 2012: 142-166. [Web of Science]
  15. Satrapi, Marjane. Persepolis. The Story of a Childhood and The Story of a Return. London: Vintage Books, 2003.
  16. Sontag, Susan. Regarding the Pain of Others. London: Penguin, 2003.
  17. Spiegelman, Art. Maus I. New York: Pantheon Books, 1986.
  18. Spiegelman, Art. Maus II. New York: Pantheon Books, 1986.
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