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Autor
Salih Elaff Ganim (Universiti Putra Malaysia, Serdang, Kuala Lumpur, Malaysia), Kaur Hardev (Universiti Putra Malaysia, Serdang, Kuala Lumpur, Malaysia), Hassan Mohamad Fleih (Universiti Putra Malaysia, Serdang, Kuala Lumpur, Malaysia)
Tytuł
David Hare's Stuff Happens a Dramatic Journey of American War on Iraq
Źródło
International Letters of Social and Humanistic Sciences (ILSHS), 2016, vol. 67, s. 57-69, bibliogr. 25 poz.
Słowa kluczowe
Wojna w Iraku 2003, Teatr, Sztuka, Literatura
War in Iraq in 2003, Theater, Art, Literature
Uwagi
summ.
Hare David
Abstrakt
The war launched by America and its allies against the country of Iraq on 2003 was a debatable and notorious war for the public opinion was shocked with the realization that the reasons for launching the war under the title 'Iraq's Mass Destruction Weapons' were false. The tragic consequences of this war led many writers around the world to question the policy of the United States and its manipulation of facts to justify their narratives. The present study examines the American policy of invading Iraq in David Hare's Stuff Happens. It investigates Hare's technique of combining documentary realism with imaginative reconstruction of the arguments to dramatize the American Invasion of Iraq. Stuff Happens is a historical and political play written as a verbatim theatre. It depicts the backroom deals and political maneuvers of the Bush administration in justifying their campaign against the 'Axis of Evil' culminated by the war against Iraq. The verbatim theatre is the best way of showing the gap between 'what is said and what is seen to be done'. Scenes of direct speeches by real characters are part of this theatre dramatized to present a new reading of a historical event. In addition, characterization is used by Hare's to chronicle the American war on Iraq. The study follows a postcolonial framework. The study concludes that Hare's Stuff Happens succeeded in shaking the public opinion with the truth that Bush's administration has manipulated facts in order to achieve their colonial and imperial interests in Iraq, which led to more destruction and violence in this country. (original abstract)
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Bibliografia
Pokaż
  1. Aarnivaara, Sara (2008). Empire and Resistance: An Analysis of the Occupation of Iraq and the Iraqi Opposition and Armed Resistance. (Master Thesis, Lund University).
  2. Billington, Michael. Sir David Hare. The Guardian. February, 2004.
  3. Bird, G., & Rogers, N. (2009). Talking to Judges about the Art of Judging: an Annotated Performance Text. Pub. Space: JL & Soc. Just., 3, 1, 1-18.
  4. Boon, R. ed. (2007). The Cambridge Companion to David Hare. Cambridge University Press.
  5. Bumiller, Elisabeth. Iraq War Faces Some New Critics. The Theater Kind. New York Times. 03 Apr 2006: A.14.
  6. Claycomb, R. M. (2003). (Ch) oral History: Documentary Theatre, the Communal Subject and Progressive Politics. Journal of Dramatic Theory and Criticism, (2), 95-122.
  7. Fyffe, L. (2010). Political Theatre Post 911: The Age of Verbatim, of Testimony, & of Learning from Fictional Worlds. Canada.
  8. Golimowska, K. (2012). Transatlantic Miscommunication in David Hare's Drama Stuff Happens. Current Objectives of Postgraduate American Studies, 13.
  9. Hammond, Will, and Dan Steward, eds. Verbatim Verbatim. Techniques in Contemporary Documentary Theater. London: Oberon, 2008.
  10. Hare, David. Stuff Happens. Faber and Faber Ltd, 2004.
  11. Hare, D. (2005). Obedience, Struggle and Revolt. London. Faber & Faber.
  12. Heddon, D. E. (2007). Autobiography and Performance. Palgrave Macmillan.
  13. Juhi, Bushra. (2011). "Stuff Happens: David Hare's Iraq War Drama," Al-Mustansiriya Journal of Arts. September 22, 2011, Issue 55: 1-21.
  14. Loomba, A. (2005). Colonialism/Post-colonialism. London. Rutledge.
  15. Luckhurst, M. (2008). Verbatim Theatre, Media Relations and Ethics (pp. 200-222). Blackwell Publishing Ltd.
  16. McKinley, J. (2006). David Hare Enters the Theater of War. New York Times,1.
  17. McClintock, Anne. 'The Angel of Progress: Pitfalls of the Term, Post-Colonialism', pp. 291- 304 in Williams, P. & Chrisman, L (1994) (Eds.). Colonial Discourse and Post-Colonial Theory: A Reader. New York: Columbia University Press.
  18. Murphy, S. D. (2004). Assessing the Legality of Invading Iraq. Georgetown Law Journal, 92(4).
  19. Paget, D. (1987). 'Verbatim Theatre': Oral History and Documentary Techniques. New Theatre Quarterly, 3(12), 317-336.
  20. Reinelt, J. G. (2005). Stuff Happens (Review). Theatre Journal, 57(2), 303-306.
  21. Rokem, F. (2000). Performing History: Theatrical Representations of the Past in Contemporary Theatre. University of Iowa Press.
  22. Said, E. (2003). Orientalism. London: Penguin.
  23. Smith, Paul. "Why 'We' Love hate 'You'" Contemporary Conflicts, 2004. Web 4 Dec. 2011.
  24. Stothard, Peter. The Stuff of Political Nightmares. The Times. London, 2004.
  25. Stuart, Amanda Fisher. Master Class: Exploring Verbatim Theater. London, 2011.
Cytowane przez
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ISSN
2300-2697
Język
eng
URI / DOI
https://doi.org/10.18052/www.scipress.com/ILSHS.67.57
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